2007
Persee: Orchestrated Perception (link)
An innovative mixed-media live concert event staged in the heart of downtown Los Angeles. Produced by composer Drew Schnurr in collaboration with artists C.E.B. Reas and Michael Chu, this experimental performance engages multiple levels of visual, music, and digital culture. Featured works challenge the fundamentals of integrity, communication, and human perception, while provoking and inspiring renewed awareness, inquiry, and social dialogue.
symphony of lies: nixon
10 May 07
symphony of lies: lbj
10 May 07
symphony of lies: clinton
10 May 07
process 11
10 May 07
2006
Deusonica Podcast (link)
Performance paradigms are changing. As society becomes increasingly connected by technology the traditional concert format evolves into forms that are less dependent on scheduling and public gathering. Podcasts allow listers and viewers to create the physical context for each concert, thus enabling them to directly participate in the creation of the "concert experience."
The Deusonica Podcast explores the idea of the internet as a performance hall, both virtual and portable. Works are created by musician/composer Drew Schnurr in collaboration with other artists. Podcast concerts include sonic improvisations, contemporary music, experimental sound design, new digital media, and visual arts.
improvisation 1
13 February 2006
2005
Inventory mp3
25 minute recorded sound score for live stage performance at Ford Theatre in Torrance, CA. Created in Collaboration with Regina Klenjoski Dance Company.
2004
Infinite Pianos mp3
Live concert project featuring 5 Steinway grand pianos. The original composition is for 15 Steinway pianos. 50 minute live concert at Harris Hall in Aspen, CO for the 54th International Design Conference in Aspen. Live sampling sound design techniques are used to record piano performances, modulate them, and play back live during the performance.
Streetscapes mp3
40 minute sound score for live stage performance at Ford Amphitheater in Hollywood, CA. The hybrid sound score includes both music and sound design elements resulting from an integrated approach. Recorded samples of street sounds including conversations, busses, and subways are used. Musical pitch sequences are derived from the pitches found occurring naturally in field recordings, becoming the building blocks for the musical composition.
Live at Dangerous Curve (4.3.04) mp3
Improvised performance using double bass, laptop computer, and analogue sound effect units. Implementation of various electronic sampling and modulation techniques live in the performance.
2003
Mirrors mp3
Listening mp3
Live Performance (9.9.03) mp3
Lamenting Fall mp3
2001
Amber Rising mp3
1998
Cat Music mp3
1996
Silver Hollow mp3 |